The Wire Chair, at a first look, could look like the earlier fibreglass side-chairs, such as the DAR (1948) and the DSR (1950) even though Charles and Ray Eames developed a brand new production technology obtaining one of the most iconic Mid-Century designs.
The transparency of this single-piece seat proposes a sculptural quality rarely seen in postwar furniture design. The influence of fine art is often considered secondary to the industrial processes and ideology of systems favoured by Charle
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